Volume 1, Issue 1 (The Dome)

1. “The City Gate,” 7-8, pencil drawing by H.W. Brewer
2. “Water-Gate, Hoorn,” 9-13, pen and ink by A. Van Anrooy
3. “The Concord of Clofield” 13-32, L. Dougall
4. “The Deserted Village,” 32-33, sonnet by Louis Barsac
5. “The River in Flood,” 33-36, Annie Dawson
6. “A Song of Brotherhood,” 36-37, two verses by James Medborough
7. “Near Nature’s Heart,” 37-63, play by J.E. Woodmeald
8. “Cattle Gazing,” 63-65, charcoal drawing by Frank Mura
9. “Nude Figure,” 65-67, study by W.L. Bruckman
10. “The Annunciation,” 67-69, engraving by Martin Schongauer
11. “Christ Descending into Hell,” 69-71, engraving by Andrea Mantegna
12. “Apollo and Diana,” 71-73, engraving by Jacopo de’ Barbari
13. “Three Engravings of the Early Renaissance,” 73-77, appreciation by Laurence Binyon
14. “Virgin and Child, with St. John the Baptist, St. Catherine, and Angels,” 79-81, oil painting by Sandro Botticelli
15. “Sandro Bottocelli,” 81-91, appreciation by Gleeson White
16. “Impromptu Amoroso,” 91-92, Pianoforte solo by Edgrado Levi
17. “O Candido Cuor,” 92-95, words after Henrich Heine, music by Edgardo Levi
18. “J’ai Perdu me Tourterelle,” 95-100, words by Jean Passerat, music by Joseph Moorat, frontispiece, headpiece, and tailpiece by Paul Woodroffe
19. “Reviews and Notices,” 100-104

Submitted by: Heywood, Marie: section 1, Fall 2007